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Image making workshops at Newark Hill Primary

5.2.14

My second week at NHPS and the medium used today was chalk pastel however we began by making some observations of the charcoal workshop, reflecting upon the successful and the not so successful aspects of the previous week’s session.

SLATER-Guardi    SLATER-Seabirds

Again I brought some of my own work to show to the group. Last week I presented images with a theme of water, a charcoal ‘Souvenir’ drawing of Francesco Guardi ‘Venice: The Punta della Dogana’  and an oil painting of a sea storm witnessed from the beach at Salthouse, North Norfolk – ‘Seabirds Riding High’.

SLATER-Ruisdael    SLATER-Craignish

This week I brought a couple of chalk pastel drawings which also had a theme of water. Another ‘Souvenir’, after Ruisdael’s ‘Extensive Landscape with a ruined Castle and a Church’ and a landscape drawn on the shoreline of Loch Craignish – ‘Foreshore with clouds drifting in’.

My introduction pointed out the similarities with charcoal, and the work process began with mark making exercises to learn the characteristics of the medium before repeating the technical drawing of a three sided cube.

One of the key features of the session was the importance of discipline with regard to the approach to the drawings produced and of the work environment, both chalk pastel and charcoal have the tendency to spread beyond the paper surface. In spite of that the working practise was not restricted, the activity promoted energetic mark making actions as well as sensitivity, and the results were expressive and adventurous.

The final piece built upon the ‘wide eyed & motionless’ owl portrait of last week, this time allowing texture and invention with colour to play a prominent role. Some of the results displayed real character and personality:

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